參考文獻(xiàn)：Yohko Tsuji, Evolving Mortuary Rituals in Contemporary Japan, in A Companion to the Anthropology of Death, edited by Antonius C. G. M. Robben, Hoboken: John Wiley and Sons Inc, 2018, pp17-30[日]島田裕巳著，嚴(yán)敏捷譯，《讓人生的終點(diǎn)歸零》，臺(tái)北：商周出版社，2016年Hikaru Suzuki, Price of Death: The Funeral Industry in Contemporary Japan, California: Stanford University Press, 2000責(zé)任編輯：鄭詩(shī)亮 校對(duì)：欒夢(mèng)。霧凇形成需要?dú)鉁睾艿投宜趾艹浞?，????????同時(shí)能具備這兩個(gè)形成霧凇的極重要而又相互矛盾的自然條件更是難得。??????無(wú)論女性的年齡多大，????都能直接駕馭這件毛衣。?????????麗江和大理離得有多遠(yuǎn)想去麗江？看人人人人人人人人人人人人人人人人人人人人人？。????????針織衫的色彩格外多樣，????????它們的款式設(shè)計(jì)也不會(huì)一模一樣，?????????想要營(yíng)造出很有氛圍感的春日著裝，??????一定要選對(duì)色彩，????擺脫乏味的配色形式，????摒棄傳統(tǒng)的穿搭套路。??????用百褶裙代替包臀裙，????????時(shí)髦耐看。????5??